Friends of Burgess Park recently had several enquiries about artworks in the park, via our Facebook and Twitter accounts, which prompted us to take a look ourselves, and find out more! Richard Barton enquired about the artworks in order to include them in an Art Walk around Camberwell, and during lockdown, staff of the South London Gallery were looking for similar information for a park tour they were designing for their own interest.
So together with Andrea from Art in the Park (based in the Chumleigh Gardens enclave) and Monica from Friends of Burgess Park, we’ve compiled as comprehensive a list as we could muster. As always with these things, they’re a work-in-progress, but we now have details on some 12 of the 15 items we’ve identified so far. Please help us if you have more details on these, or let us know of any we’ve missed.
The list so far is on a permanent page and it covers works ranging in age and style from the 1920 WW1 war memorial outside St George’s Church to the carved tree trunk near the tennis courts, made in 2018. The page has an interactive map you can use to create your own tour of the works, so get out there with your smartphone or tablet and visit as many as you can. They’re all outside (apart from the Children’s Library murals which need a special arrangement to view), so make it your lockdown – and post-lockdown – exercise!
When the park was conceived, back in the dark days of WW2 (see Abercrombie Plan and Jessie Burgess here), there was a perception of overcrowded areas needing the space of a new park to breathe. As the area around the canal was becoming ‘post-industrial’, and was surrounded by dense, poor quality housing, this part of south London was picked out as a good location for a new park.
The park has developed over the years and had large amounts of money spent on beautifying it and improving the facilities for the surrounding population. Planners and supporters have endeavoured to do this in a balanced way, at the same time providing wildlife havens and linking up with other small pockets of green in the area to create wildlife corridors. Many of the wildlife areas have been created out of parcels of Metropolitan Open Land – a designation similar to the Green Belt around London, designed to protect the few remaining areas of green space in the inner city.
Originally, these areas of MOL were then compulsorily purchased in order to legally become parkland. However, that system of taking over land became unpopular and more and more expensive as land prices in the city have risen. This has meant that various areas of MOL have been left in limbo – intended to be incorporated into the park, but remaining in private ownership. There have been several campaigns in the past to try and ensure the MOL designations in the park are respected – see Southwark News article here. One recent successful application of the principle of MOL has been in the deal done by the Council with the owners of a property in Parkhouse Street. This had an historic spur of land, used as a parking area, jutting into the park and splitting the wildlife area in two. It’s since been fully incorporated into the park and landscaped to match the surrounding area.
Former police vehicle yard (visible in the trees on the left) jutting into the park right up to the now removed New Church Road as in 2018. Inset map shows it as green outline into orange MOL.
Now that the park has become extremely desirable, it’s attracting many new housing developments to the area, at just the same time as it’s attracting more visitors. Most of the north side of the park, originally the Aylesbury estate, is being replaced with a mixed private/public estate which will see a lot more tall blocks overlooking the park, selling for high prices because of their park view. A lot of the south side is so far still industrial land, to the north of Parkhouse Street, with low-rise former industrial premises and factories. However, there have already been several planning applications to replace 3 or 4 industrial premises with around 275 flats, at 9, 10 and 11 stories, right up to the park boundary. On the other side of Parkhouse Street, is the proposed Camberwell Union development of 500+ flats. We consider this to be overdevelopment, in all kinds of ways.
However, a still more worrying development is the plan to replace the long-standing reclamation yard at the corner of New Church Road/Southampton Way (13 Southampton Way). This is on one of the final unincorporated pieces of Metropolitan Open Land, which was always planned to be part of the park. The proposal to build 4 and 7 story blocks right on the corner, adjoining the well-developed wildlife sanctuary will be a big mistake. Like the Parkhouse Street developments, it will overshadow the wildlife area and wildflower meadow, blocking sunlight from acres of ground in the winter. It will make the corner in the road very constricted for traffic and for pedestrians entering and leaving the park, and disrupt wildlife routes.
Please sign the petition being raised by Burgess Park Action Group here. Please also get involved with the work of Friends of Burgess Park to protect the park from overdevelopment of surrounding streets, to the detriment of the park, its users and wildlife.
We had great news on 30th September 2018! The Mary Boast Prize, which is organised by the Camberwell Society, has been won by an essay from some of the Friends of Burgess Park ‘Zeppelin 1917’ team. A big thank you to all the volunteer authors including the essay editing team of Judith Barratt, Joan Ashworth and Susan Crisp.
The prizewinning essay, which you can read here, tells the story of the 1917 Zeppelin raid on the park, covered on this website, and also the events organised by the Friends of Burgess Park to commemorate the terrible occasion. The winner was announced at the end of a fascinating local history walk around Burgess Park and the surroundings, and covered some of the planned new developments to the area.
The essay is based on work done in 2017 by many volunteer researchers who joined with members of the Friends to investigate the events of 1917 with the help of a Heritage Lottery Fund grant. All kinds of information was uncovered with the help of nearby archives such as the Southwark Local History Archive, the Imperial War Museum and the Cuming Museum collection. At the special events organised to commemorate the centenary in October, we were honoured by the presence of several close members of the two families who lost the biggest number of relatives in the bombing. We were able to add their information to the essay.
The Camberwell Society’s annual prize is named after Mary Boast, who was a popular local historian and the archivist at the Southwark Local History Library and Archives. She wrote the excellent history booklet – The Story of Camberwell, and has a street named after her.
You’ll be able to read the essay in full in the Camberwell Quarterly magazine, to be published by Christmas 2018. Order your copy now! Or join the Camberwell Society and have it sent to your house for free! Or buy it in any local shop, if you’re in the area. Or read it now!
As part of the commemorations of the Zeppelin bombing in 1917 (see here for more information), Sally Hogarth will be unveiling her new artwork memorial ‘Silent Raid’. The memorial to those who lost their lives has been commissioned by Southwark Council, and has been a year in the making. The memorial consists of 10 sculptured model houses, placed in 7 locations in the park, close to where the people lost their lives.
Wednesday, 17 October, 5:30-7pm
Meet at Theatre Delicatessen, in the Old Library on Wells Way, for a walk around the locations for the memorial, with speeches, refreshments, a poem by Koko and more. To book tickets for the launch event, please see the Eventbrite page.
Take part in the drop-in family art workshop by Art in the Park.
2.30 pm Camberwell Community Choir sing songs from the First World War
3.15 pm History walk to view the art installation of memorial houses including Q and A with the artist Sally Hogarth
4.30 – 5.30 pm Performance of THE UNKNOWN SOLDIER
The Unknown Soldier is a moving show, often humorous, but above all thought provoking. It looks at the First World War from a new perspective, through the eyes of a man who has survived the carnage but who finds it hard to return home. A story of comradeship, betrayal and of promises both broken and kept following the carnage of World War One. Official EdFringe 2016 sell out show by award nominated writer of Casualties. Book for 4.30 performance
21st October – Four unique acts capture the spirit of WWI
Scratch Night at Theatre Delicatessen is an evening of variety, ideas and fun; a chance to see artists present brave, new work at the first stages of development.
The four performances brought a real insight into the impact of WWI and how it affected the lives of people at home.
A new spoken-word performance – Anonymous Is A Woman – kicked off the evening. Reflecting on the life of a young women who could have known the families from Calmington Road, the poem by Koko Brown, in collaboration with director Tania Azevedo, compared local domestic life with the extraordinary news about Mata Hari who was shot as a spy on 15th October 1917.
Two of the scratch theatre pieces performed material written during the war. The Way To Win, from 1915, was a recruiting piece which toured through music halls across the country. It pulls all the patriotic strings to encourage young men to sign-up, to gain respect and love from family and friends. The second, God’s Outcast, a sombre piece from 1918, shows a heartbroken father and a young wife who have each lost a young man to the war. Meeting in a railway station waiting room they confide how much the loss means and how they cannot bear to continue to live. The contrast between the two plays is stark.
On a brighter note, We Have Been Gloriously Happy, written and performed by Beth Watson and Sadie Clark, presented a series of dialogues showing the new roles that women were taking on: suffragettes setting up local committees to support the war effort; women taking on the medical profession and establishing field hospitals; and munitions workers wondering what the future would hold once the men returned and took back the jobs after the war.
The performers had access to all our research about WWI and the lives of local people in south east London, especially Camberwell, where the Zeppelin air raid took place in October 1917. Theatre Delicatessen’s knowledge of new writers and performers brought these stories to life, showing the social impact of WWI to a new audience.
Along with over 60 others, I set out on the afternoon of Saturday 21st October for a breezy walk around Burgess Park, to find out more about what happened 100 years ago on Friday 19th October 1917, when the Zeppelin bombing raid struck over Walworth, South-east London. The event took the shape of an animated walk – the narrator guides walkers around significant points in the park where actors play out the voices of people caught up at the time of the Zeppelin strike. If you missed the event itself, an audio version will be available soon as a podcast.
John Whelan, the project lead, narrated the events, and one of the first things we learned was that the weather was very similar on that night, with a heavy, gusting wind that meant the Zeppelins were not heard until they were almost overhead – the Silent Raid.
The first ‘Voice from the Past’ was the Zeppelin commander, Kapitänleutnant Waldemar Kölle, who gave an account of the long flight from Germany. The Zeppelin flight was affected by the wind, getting blown off course – they were aiming for the northern industrial city of Sheffield – and had to climb higher into the freezing atmosphere to avoid gunfire from British planes. Kölle praised his gallant crew who were frozen and tired yet stayed at their posts – but it was hard to see what alternative they had! Eventually, after crossing London and dropping it’s bombs, on its way back to base, the Zeppelin ran out of fuel, crash-landimg in France where the crew were taken prisoners of war.
We heard more Voices from the Past – some of the people involved in the war effort: the so-called Canary Girls, whose skin and hair turned yellow due to the chemicals they were working with in the munitions factories; the newly-introduced air-raid warden – issued with a whistle to warn people to take cover! And from the reporter restricted in what could be published by the all-encompassing ‘Defence of the Realm Act’ (DORA).
Over the course of the afternoon we had sunshine, while listening to the Voices from the Past of the conscientious objectors, who had to defend their position in court, many of whom were imprisoned during the war…
… and also rain, as we heard the Voices from the Past of distinguished visitors who came to see the bomb-site at Calmington Road and talk to the survivors, no less than the Prime Minister of day, David Lloyd George and their majesties King George V and Queen Mary.
The most poignant part of the walk for me, was when we reached the actual spot where the bomb fell, at what used to be the junction of Calmington Road with Albany Road.
The photographs of the victims on the railings and the sad stories of those who died, those who survived but lost children, or were affected for the rest of their lives, really brought home the grim reality of civilian deaths in wartime.
One of the most moving aspects of the whole project was the involvement of the families of the victims and survivors of the bombing raid. We were able to meet with the siblings and descendents of both the Balls family, who lost two members, and the Glass family, who lost four. Greta and Peter, younger sister and brother of Eddie and Sonny Balls (pictured far right on the railings above) attended the opening of the season on 7th October (see report here). Barbara, daughter of Jesse Glass and granddaughter of Emma Glass (pictured far left, above) attended both the opening and the animated walk, travelling with members of her family to London from St Leonards.
The whole family found the exhibition and walk very informative and moving. Many people involved in the war didn’t like to dwell on the suffering and so details were often not discussed with family members in the aftermath. Mark (grandson of survivor Jesse Glass) wrote to us after the animated walk very movingly:
‘…after only really having to hand over the years the details that my Nan could feel at ease with discussing …. it all feels quite surreal, and indeed on a personal level even overwhelming at the moment, to suddenly be receiving so much information in one go.’
‘Auntie Barbara seeing for the first time what her Nan, and her Aunties & Uncle, actually looked like was quite an experience …’ ‘… for Auntie Barbara … watching someone play her injured Mother who was calling out in the darkness to her own Mother … for us this was, very understandably, to be the most emotive experience of the day.’
‘My heartfelt appreciation to you and your colleagues for all your hard work’
Well done to John Whelan and all the actors and project volunteers who put together a vivid and moving portrayal of the events of the Zeppelin raid 1917. If you missed the walk itself, the soundtrack will be available shortly as a podcast for download or listening online. Please visit our newly-launched podcast pages now to listen to our archive of previous talks, and if you subscribeto the series in your podcast app (for free), you’ll receive the new Zeppelin episode automatically (as well as any episodes in the future) as soon as it’s published in the next few weeks.
Posted by Helen Crisp, 26th October 2017; additional details, 15th November.
In order to answer that question the Burgess Park Cricket Club helped lay out the size of Zeppelin L45 onto the park on Saturday morning using their boundary rope. In fact, we discovered the Zeppelin size is larger than a cricket pitch boundary! This aerial photograph, thanks to Damian Laurence’s drone piloting, shows the Zeppelin taking up the whole of the great lawn – as long as a street.
Many thanks to Everton for organising this with the cricket club, and to Jo and Lewis from Southwark Parks for helping to move the huge amount of rope.
Black Poppies Talk by Stephen Bourne
On Saturday afternoon local historian and author Stephen Bourne gave a presentation telling the story of how black people in Britain joined up for the forces and played a variety of roles in WWI. Unlike the USA, Britain did not segregate servicemen by colour. Stephen showed photographs from different regiments with black servicemen and explained the social history of black people as part of local communities in the UK prior to WWI. As the war progressed more forces were also drawn from the colonies and came to fight in Europe. Stephen’s book Black Poppies gives plenty of detail on the military and civilian wartime experience of black Britons, from the trenches to the music halls.
Stephen concluded his talk by outlining his research into the role of the police during the Zeppelin air raid on Calmington Road. The police officers who rescued people from the damaged buildings were all awarded medals. The role of the police as hidden heroes is recognised in the Zeppelin 1917 exhibition.
1917 Knees Up
Vesta Tilley, called ‘Britain’s greatest recruiting sergeant’, famous music hall chorus was:
'Oh we don't want to lose you but we think you ought to go
For your King and your Country both need you so’
So quite a lot of social pressure to join-up!
We rounded up the with an evening with quizmaster extraordinaire Mike Raffone and a proper singalong from Mister Meredith (both sporting excellent moustaches). With several competitive quiz teams, including some of our volunteer researchers, as well as Glengall Wharf Garden and other local volunteers, the standard was high on the local knowledge, but less sure on the famous singers of the period.
Mister Meredith then took us through some well-known songs of the period – recruiting songs and music hall numbers – with the official words, and sometimes the soldiers’ own versions of the songs!
Q: Who composed “Keep the Home Fires Burning” ?
A: Composed by Ivor Novello with words by Lena Guilbert Ford in 1914
The day before saw the arrival of our amazing Zeppelin art piece, specially built by Keith Roberts for the Zeppelin 1917 season. After “flying through” Burgess Park, the artwork was carefully hoisted into place by Jon and Keith. What an excellent way to kick off our launch. Keith has also contributed another artwork to embellish our project – Silent Voices, which can be seen in Chumleigh Gardens, opposite the First World War memorial stone.
Saturday 7th 10am…3 hours to launch
The day began in a flurry of good-natured activity fuelled by tea and biscuits. Massive thanks to all the hardworking exhibition installation volunteers (Jon, Andrew, Monica, Chris, Susan, Catriona, Judith, Charlie, Mercy and John) who worked tirelessly on both days (Friday till 10pm!) to get the TheatreDeli exhibition up and ready for the opening at 1pm. Wonderful teamwork. and it looks incredible!
Whist the exhibition setup was finished, over 50 parents and children enjoyed “Flying Designing” at the Fun Palace with hands-on workshops to make a Zeppelin, design a rocket and create a paper bird and flowers. Great excitement ensued when rockets were launched outside using plastic bottles, water and air pressure. Thanks go to Florence Goodhand-Tait for running the workshop with Art in the Park, Alice Sheppard, Citizen Science and Sue Smith, Camberwell Arts.
The exhibition was then was formally opened by Councillor Johnson Situ, who was introduced by Susan Crisp, chair of the Friends of Burgess Park.
Later in the afternoon we were honoured to host members of the two families at the heart of our project – descendants of the Balls and Glass families. The Boyce/Balls family includes Mrs Greta Druce (102 years old next month), who actually survived the raid, although, tragically Greta’s two brothers Eddie and Sonny Balls died and brother Leslie never recovered from the trauma. We also loved chatting to John and Barbara Shaw (up from the south coast) and Mark Draper (down from Crewe) all relatives of the Glass family – who lost 4 members that night.
At 4pm, Ian Castle gave a fascinating talk on ‘The Silent Raid’. The talk, illustrated with vivid images, was dramatic, touching, and funny at times. Above all, what Ian gave us was an evocative journey through the mind-set of the Zeppelin commanders and the damage they did to ordinary people and even to their own crews.
Warm thanks are due to our gallant speaker Ian Castle and his partner Nicola Price who overcame many obstacles to be with us. It was especially poignant to hear from the family members during the talk Q&A. It brought home what life was like for bombing victims – no one in the room could fail to truly understand the human cost of war.
Special thanks to John Whelan who has kept us on a steady course, coordinating the researchers and the fantastic volunteer sessions with our supporting partner organisations. John, will of course, be leading the Animated Walk on 21st October 2-4pm (meet at TheatreDeli), which promises to be a fitting coming together of all the research and experiences we have painstakingly gathered. I personally can’t wait for this experience!
The exhibition can be seen on Saturdays through October, and especially at our next talk ‘Black Poppies’, on the black community in WW1. On Saturday 14th, given by Stephen Bourne – book now!
Lastly a huge vote of thanks to our army of exhibition and walk research volunteers:
Joan Ashworth, Katie Bates, Neil Bright, Joy Campbell, Giles Camplin, Christine Camplin, Helen Crisp, Susan Crisp, Carol Field, Oran Hassan, Monica Heeran, Mercy Hopper, Sally Lynes, Joe May, Andrew Pearson, Jon Pickup, Barbara Selby, Frank Silva, Peta Steel, Peter Stevenson, Mercy Sword, Sam Tilling, Marion Wallace, Judith Wardle, Stella Young
Local artist Keith Roberts, who has a keen interest in the First World War, installed his sculpture Silent Voices in Chumleigh Gardens this week.
Keith has exhibited a similar piece in the exhibition ‘War in the Sunshine: The British in Italy 1917-1918’ at the Estorik Collection in Highbury earlier this year. We are delighted he has chosen to show this work here during Zeppelin 1917.
Many cups of tea and coffee from Parklife Café were consumed during the installation and there was lots of interest from regular visitors to the lovely English garden. Sadly the bells can’t go on the lawn but are instead looking equally amazing nearby on the broad central pathway. A word of thanks to the park’s staff who were so helpful on the day.
Keith has also made a Zeppelin to hang in the exhibition at Theatre Delicatessen and there is a plan being hatched to film its journey from his studio through the park to the Old Library on 6th October. Watch this space….
On 14th September, Southwark News published a second article on our remembrance of the 1917 Zeppelin raid on Camberwell.
The article covered the story of the Boyce-Balls family who Jon Pickup and Andrew Pearson, volunteers on the Friends of Burgess Park Zeppelin research project, met recently. They spoke to Greta and Peter, younger siblings of the two brothers killed in the raid. Peter described how their family had crossed the road from their father’s grocers shop to be with the doctor’s wife who was nervous in air raids, on the night of 19th October, 1917. The surgery and surrounding houses were subsequently hit by the Zeppelin bomb.